He also found greater commercial success in the 1990s. įurther critical acclaim followed with Williams's lead roles in Dead Poets Society (1989), Awakenings (1990) and The Fisher King (1991). He received his first of three Academy Award for Best Actor nominations for playing disc jockey Adrian Cronauer in the war comedy Good Morning, Vietnam (1987), in which he improvised some of his scenes. He won two consecutive Primetime Emmy Awards for Outstanding Individual Performance in a Variety or Music Program for the television specials Carol, Carl, Whoopi and Robin (1987) and ABC Presents A Royal Gala (1988). Williams then took on more serious parts in the comedy-dramas The World According to Garp (1982) and Moscow on the Hudson (1984). By the early 1980s, Williams wanted to do mainstream acting, and made his film debut in a lead role in the musical comedy Popeye (1980), a critical failure that earned thrice its budget. Running for four seasons, the show was Williams's breakthrough and earned him his first Golden Globe Award and a nomination for a Primetime Emmy Award. The guest role of an alien named Mork in an episode of the sitcom Happy Days in 1978 earned him positive reviews, and led to the spin-off Mork & Mindy, focusing on his character's experience on Earth. 'Til I Need Glasses? and the television shows The Richard Pryor Show and Laugh-In. Williams's career began in 1977 with minor roles in the film Can I Do It. He is often regarded as one of the greatest comedians of all time. Known for his fast-paced, improvisational style and playing a wide variety of characters, he was described by Screen Actors Guild president Ken Howard as "a performer of limitless versatility, equally adept at comedy and drama, whether scripted or improv". To this day, it’s one of the most incredible vocal sessions I’ve ever witnessed.American actor and comedian Robin Williams (1951–2014) starred in films, television and video games throughout a career that spanned nearly four decades. By the end of that first four-hour session, Robin was dripping with sweat, completely drained. But he made most of it work, albeit in ways we never anticipated. Going in, I was wary we wouldn’t be able to use a lot of the stuff Robin might come up with because it wouldn’t fit the requirements of the story. At one point, we had to remove the genie’s lead animator, Eric Goldberg, from the recording stage because his uncontrollable laughter was messing up takes. Each take, Robin would add and embellish, so by the 25th (and last) take, the scene had expanded to about 20 minutes long! Robin kept coming up with more and more ideas. The original scene was meant to be about three minutes long. He started out recording the script as written a few times, then took off in a multitude of directions. On the first day of recording we had script pages written in Robin’s improv style and storyboards illustrating some of the visual metamorphosing we were planning. Robin would be encouraged to improvise to his heart’s content. John Musker and I wrote the original script with the specific idea that Robin would voice the genie and that he would be a visual as well as vocal shape-shifter. Improv in voice acting has been a part of Disney films going all the way back to “Snow White.” But Robin Williams’ Genie was something extraordinary. He shares his memories of working with Robin Williams on the animated blockbuster. Longtime Disney animator Ron Clements co-directed Disney’s 1992 “ Aladdin” alongside John Musker.
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